Both Chet Corpt and Sean Gaskell have traveled to what might be described as “The University of Kora”, i.e., the city of Brikama in The Republic of the Gambia. There, two adjacent compounds housed two of the all-time greats of the West African kora, Alhaji Bai Konte and Alhaji Malamini Jobarteh. The former had passed some years earlier, but Malamini carried on an active role in teaching and playing even during his retirement years. A former Minister of Culture, Malamini was the perfect ambassador for this music and certainly left his mark on both players. For both, this training is foundational.
A performance of Mandinka-based music requires a great deal of interpretation and improvisation. It is an 800 year old oral tradition that has no need for the standardization of it’s songs. The student must learn from the beginning to actively participate in the shaping of any musical performance at any level. Both players believe that while a foundation is necessary, one is inevitably thrown back on what one knows about performance and expression, as an American musician. Through creative experimentation, the hope here is to create an American kora tradition, thereby helping to establish West African Mandinka sound art practice as universal.